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Beverley Nichols was born in Bristol England on 9 September 1898
to a professional family. He was educated at Marlborough and then Balliol
College Oxford where he became President of the Oxford Union. His first book was
published whilst still at college. He went to work as a journalist whilst
continuing to write. He continued to write prolifically and often
controversially, including an impressive foray into the genre of detective
fiction with the highly regarded Moonflower. He passed away following a fall at
the age of 85 in 1983
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| Title |
Publisher |
Date |
Notes |
| Prelude |
Chatto |
1920 |
|
| Patchwork |
Chatto |
1921 |
|
| Self |
Chatto |
1922 |
|
| Twenty-Five |
Cape |
1926 |
|
| Crazy Pavements |
Cape |
1927 |
|
| Are they the Same at Home |
Cape |
1927 |
|
| The Star Spangled Manner |
Cape |
1928 |
|
| Women and Children Last |
Cape |
1931 |
|
| Oxford London Hollywood |
Cape |
1931 |
|
| Evensong |
Cape |
1932 |
|
| Down the Garden Path |
Cape |
1932 |
|
| For Adults Only |
Cape |
1932 |
|
| In the Next War I Shall be a Conscientious Objector |
Friends Peace Committee |
1932 |
|
| Evensong |
French |
1933 |
play |
| Failures |
Cape |
1933 |
|
| Cry Havoc |
Cape |
1933 |
|
| A Thatched Roof |
Cape |
1933 |
|
| Puck at Brighton |
Brighton Corp |
1933 |
|
| The Valet as Historian |
Forsyth |
1934 |
|
| A Village in a Valley |
Cape |
1934 |
|
| How Does Your Garden grow |
Unwin |
1935 |
with 3 other authors |
| The Fool Hath Said |
Cape |
1936 |
|
| No Place Like Home |
Cape |
1936 |
|
| Mesmer |
Cape |
1937 |
|
| News of England |
Cape |
1938 |
|
| Revue |
Cape |
1939 |
|
| Green Grows the City |
Cape |
1939 |
|
| Men Do Not Weep |
Cape |
1941 |
|
| Verdict on India |
Cape |
1944 |
|
| The Tree that Sat Down |
Cape |
1945 |
|
| The Stream that Stood Still |
Cape |
1948 |
|
| All I Could Never Be |
Cape |
1949 |
|
| Shadow of the vine |
Cape |
1949 |
|
| Yours Sincerely |
Newnes |
1949 |
with Monica Dickens |
| Uncle Samson |
Evans |
1950 |
|
| The Mountain of Magic |
Cape |
1950 |
|
| Merry Hall |
Cape |
1951 |
|
| A Pilgrim's Progress |
Cape |
1952 |
|
| The Queen's Coronation Day |
Pitkin |
1953 |
|
| Laughter on the Stairs |
Cape |
1953 |
|
| No Man's Street |
Hutchinson |
1954 |
|
| The Moonflower |
Hutchinson |
1955 |
|
| Beverley Nichols Cat Book |
Nelson |
1955 |
|
| Sunlight on the Lawn |
Cape |
1956 |
|
| Death to Slow Music |
Hutchinson |
1956 |
|
| The Rich Die hard |
Hutchinson |
1957 |
|
| The Sweet and the Twenties |
Weidenfeld |
1958 |
|
| Murder by Request |
Hutchinson |
1960 |
|
| Cats ABC |
Cape |
1960 |
|
| Cats XYZ |
Cape |
1961 |
|
| Garden open Today |
Cape |
1963 |
|
| Forty Favourite Flowers |
Vista |
1964 |
|
| Powers that be |
Cape |
1966 |
|
| A Case of Human Bondage |
Secker |
1966 |
|
| The art of Flower Arrangement |
Collins |
1967 |
|
| Garden Open Tomorrow |
Heinemann |
1968 |
|
| The Sun in My Eyes |
Heinemann |
1969 |
|
| The Wickedest Witch in the World |
WH Allen |
1971 |
|
| Father Figure |
Heinemann |
1972 |
|
| Down the Kitchen Sink |
Allen |
1974 |
|
| The Unforgiving Minute |
Allen |
1978 |
|
| Twilight |
Bachman |
1982 |
|
|
|
