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Anthony Burgess, born John Burgess Wilson on 25th February 1917
in Manchester, England was influenced heavily in his youth by music and
literature to which hi father introduced him. He began writing poems, book
reviews and short stories whilst at college before becoming a teacher. He was
conscripted into the army in 1940 where he served in the Medical Corps before
his musical abilities took him to the entertainments section. He pursued an
unsatisfactory career in education which eventually took him to Malaya. It was
this backdrop that gave rise to his first novel and also his pen name, as an
official at the colonial office it was unseemly to publish fiction under one's
own name. The book became a trilogy and was dogged, a theme that was to
continue, by libel actions due to similarities between his characters and people
he knew. Burgess is of course best known for A Clockwork Orange, a hugely
controversial work which lost it's entire last chapter in the US edition. The
book spawned an even more controversial film that the director himself
eventually banned in Britian. His later work whilst still solid did tail off in
terms of quality by comparison. Time for a Tiger and Clockwork Orange
are the most sought after books with later titles being relatively common.
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| TITLE |
PUBLISHER |
DATE |
Notes |
| Time for a Tiger |
Heinemann |
1956 |
|
| Enemy in the Blanket |
Heinemann |
1958 |
|
| English Literature |
Longmans |
1958 |
as John Burgess Wilson |
| Beds in the East |
Heinemann |
1959 |
|
| The Right to an Answer |
Heinemann |
1960 |
|
| The Doctor is Sick |
Heinemann |
1960 |
|
| The Worm and the Ring |
Heinemann |
1961 |
|
| Devil of a State |
Heinemann |
1961 |
|
| One Hand Clapping |
Davies |
1961 |
as Joseph Kell |
| A Clockwork Orange |
Heinemann |
1962 |
|
| The Wanting Seed |
Heinemann |
1962 |
|
| The Novel Today |
Longmans |
1963 |
wraps |
| Honey for the Bears |
Heinemann |
1963 |
|
| Inside Mr Enderby |
Heinemann |
1963 |
as Joseph Kell |
| Language Made Plain |
EUP |
1964 |
|
| Nothing Like the Sun |
Heinemann |
1964 |
|
| The Eve of Saint Venus |
Sidgwick |
1964 |
|
| A Vision in Battlements |
Sidgwick |
1965 |
|
| Here Comes Everybody |
Fabern |
1965 |
|
| Tremor of Intent |
Heinemann |
1966 |
|
| Shorter Finnegan's Wake |
Faber |
1966 |
|
| The Novel Now |
Faber |
1967 |
|
| Enderby Outside |
Heinemann |
1968 |
|
| Urgent Copy |
Cape |
1968 |
|
| Shakespeare |
Cape |
1970 |
|
| MF |
Cape |
1971 |
|
| Joysprick |
Deutsch |
1973 |
|
| Napoleon Symphony |
Cape |
1974 |
|
| The Clockwork Testament |
Hart Davis |
1974 |
|
| A Long Trip to Teatime |
Dempsey |
1976 |
|
| Moses |
Dempsey |
1976 |
|
| New York |
Time Life |
1977 |
|
| Beard's Roman Women |
Hutchinson |
1977 |
|
| Abba Abba |
Faber |
1977 |
|
| Ernest Hemmingway |
Hudson |
1978 |
|
| 1985 |
Hutchinson |
1978 |
|
| Land Where Ice Cream Grows |
Benn |
1979 |
|
| Earthly Powers |
Hutchinson |
1980 |
|
| Man of Nazareth |
Magnum |
1980 |
|
| This Man and Music |
Hutchinson |
1982 |
|
| The End of the World News |
Hutchinson |
1982 |
|
| On Going to Bed |
Deutsch |
1982 |
|
| Enderby's Dark Lady |
Hutchinson |
1984 |
|
| Ninety-Nine Novels |
Busby |
1984 |
|
| Flame into Being |
Heinemann |
1985 |
|
| Homage to QWERT YUIOP |
Hutchinson |
1985 |
|
| Oberon Old and New |
Hutchinson |
1985 |
|
| The Kingdom of the Wicked |
Hutchinson |
1985 |
|
| Carmen |
Hutchinson |
1986 |
|
| Blooms of Dublin |
Hutchinson |
1986 |
|
| The Pianoplayers |
Hutchinson |
1986 |
|
| Little Wilson and the Big God |
Heinemann |
1987 |
|
| A Clockwork Orange |
Hutchinson |
1987 |
play with music |
| Any Old Iron |
Hutchinson |
1989 |
|
| The Devil's Mode |
Hutchinson |
1989 |
|
| You've Had Your Time |
Heinemann |
1990 |
|
| Mozart and the Wolf Gang |
Hutchinson |
1991 |
|
| A Mouthful of Air |
Hutchinson |
1992 |
|
| A Dead Man in Deptford |
Hutchinson |
1993 |
|
| Bryne |
Hutchinson |
1995 |
|
|
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